Kanayo O. Kanayo Pays Tribute to Late Olu Jacobs, Recalls Veteran’s On-Set Discipline

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Maryam Aliyu
Maryam Aliyu
Maryam is an online news writer at Afri-Global News and a Computer Science graduate with a background in administration, customer service and HR support. She enjoys working with people and explaining ideas in a clear, relatable way. Her writing aims to connect with everyday readers and make the stories that matter easy to follow.

Nollywood actor describes working alongside the late icon as an masterclass in professionalism, punctuality, and craft mastery.

Veteran actor Kanayo O. Kanayo has reflected on the remarkable professional discipline of the late Olu Jacobs, describing his time on set with the legendary thespian as a defining standard for African cinema.

Speaking in an interview following the passing of the 84-year-old cinema icon, Kanayo shared personal memories of Jacobs’ work ethic, mentorship style, and natural authority during film productions.

Unmatched Punctuality and Line Mastery Set On-Set Standards

Kanayo highlighted Jacobs’ strict approach to production schedules, revealing that the late elder statesman consistently arrived long before official call times.

“If call time was 9:00 AM, Uncle Olu was already on set by 8:30 AM,” Kanayo recalled during the broadcast.

He further described Jacobs as belonging to a rare class of performers who brought absolute precision to their roles, rarely stumbling over dialogue or losing focus during intense shooting schedules.

Quiet Mentorship Over Public Embarrassment

Reflecting on how Jacobs interacted with younger actors, Kanayo noted that working alongside the veteran demanded immediate professionalism.

He explained that whenever a junior cast member struggled with a scene, Jacobs avoided public criticism, opting instead to offer calm, constructive advice.

“He wouldn’t embarrass you on set,” Kanayo said, adding that Jacobs expected every actor to take responsibility for refining their craft.

Kanayo O. Kanayo’s interview on BBC Focus on Africa

Recalling a specific production in Benin directed by Lancelot Imasuen, Kanayo described playing a prince alongside Jacobs’ royal character—a role that mirrored the real-life respect Jacobs naturally commanded across the Nigerian film industry.

Kanayo noted that while the industry mourns his departure, Jacobs fulfilled his purpose and left behind an unassailable legacy in global performing arts.

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